Wednesday, August 29, 2007

On Entering Shows

In looking over my resume I am struck by the change from years past. I used to enter many more shows in recent years than I have so far this year. And I wonder, what is the reason? I know exactly why I no longer enter weekend pole-and-drape quilt shows: it costs just as much to enter one of those as it does to enter a month long show and I really want to exhibit to a wider audience than that which a weekend show attracts. Plus there is little possibility for a sale, not that I've sold much at month long shows.

But there are tons of month-long juried fiber art shows these days and I could spend all my time entering those. And I haven't done much of that either. The first four months of this year I spent in making work for the QSDS Invitational, and then I got busy with other stuff and have slacked off considerably.

I spent nearly all day yesterday preparing 3 entries. And I had already prepared an entry earlier this month. So, 4 entries. Of these, 2 are for month long fiber-only shows, 1 is for fine crafts, and one is totally art. I think my chances of getting into the quilt shows are pretty good but not sure things. The other two are way less certain, actually I would be surprised if I was accepted.

My theory is that if you get accepted into everything you enter, you aren't aiming high enough. This can be a little tough on one's ego, getting rejection letters. But, on the other hand, what kind of satisfaction is there in getting into a show when it's a sure thing? And what if, for some reason, I would get rejected from something I thought was a 'sure thing'? That would be a real blow.

So with these 4 entries, and a few more that I want to enter coming up (why is everything due in September and October, no matter when the show is?), keeping track of things becomes a real challenge. It would not be good policy to double enter something. I keep track of all my work in a database, along with all the show information, and what's been entered where. But I needed a visual representation to ensure against overlap. For this I used Microsoft Excel, created a calendar, and used shading to show the duration of each show. Writing the names of the pieces entered in each show in the shaded areas made it easier to see what I was committing and when and how long.

And here's a real dilemma - Quilt Visions in San Diego. A prestigious show with a full color catalog, something beneficial. But it costs $70 to enter! And they keep the quilt for an entire year. It's definitely not a 'sure thing' type show, and I really have to think about spending that much entry money and possibly losing a piece for an entire year. Luckily, I can ponder that for several months, as the deadline isn't until January.