fiberstudio: Packing in Earnest

Saturday, June 20, 2009

Packing in Earnest

All week long I've been putting stuff in boxes, getting ready for the Quilt Surface Design Symposium. We're leaving tomorrow and I'm taking a 7 day class with Elizabeth Busch. Today it's time to really get serious, finalize my packing, move stuff up out of the studio and into the car. This class I'm taking is called a "Master Class". It's more of a mentored studio where we have the benefit of input from both the instructor and all our classmates. We bring our own projects and pretty much do work of our own choosing. There are usually group critiques and one-on-one critiques plus other art-inspiring activities. We're also going to be doing some painting on cotton duck, something I don't usually do.

I been thinking about my years of attendance at QSDS. My first class was in 1993, when it was still run at the Josephinium Seminary, a college for priests in Columbus. The facilities were primitive, to put it mildly. Our rooms were the cells in the dormitory, no air conditioning, big enough for a single bed and a dresser. The showers were down the hall, and two rooms shared a toilet and a sink. One quickly became acquainted with one's "sink-mate". The class I took was titled "A Problem-Solving Approach to Design" and it was a series of small projects that taught us how to boost creativity. The best lesson I took away from that class was to not be afraid to experiment and to not let the work become so dear that you're afraid to try something for fear of wrecking it.

It was my first exposure to Quilt National and I was gobsmacked. These "quilts" were like nothing I had ever seen and I wasn't even sure I liked them. At that point, I wasn't even ready to call myself an artist. If someone had told me that my work would one day be hanging in Quilt National I would have laughed and laughed. Now I feel very comfortable calling myself an artist.

I didn't attend QSDS again until 1997, but I have been there every year since. For a long time I took different technique classes: low water dyeing, stamping, machine quilting, screen printing - lots of surface design techniques to add to my repertoire. After a while I realized that I also needed education in design principles and how to think like an artist. Luckily, QSDS began their Master Classes, just what I was looking for. At some point you have to really start doing your own work - take all those different techniques and make them work for you.

To digress a bit... I don't remember what quilts were the first ones I entered into Quilt National but I'm sure they were deserving of rejection considering the competition. Here is one of my entries from QN 2001. It's titled Rx: Chocolate. It's a self-portrait of sorts. I stamped words that come into one's vocabulary as one reaches a "certain age": menopause, bone density, mammogram, yadda, yadda. Quilted into the background is my own prescription for these facts of life: chocolate. Doesn't solve the problems, but it makes them more bearable.